“Love
is a fire.
But
whether it is going to warm your hearth or burn down your house, you
can never tell.”
― Joan Crawford
― Joan Crawford
“Of
all forms of caution,
caution
in love is perhaps the most fatal to true happiness.”
― Bertrand Russell, The Conquest of Happiness
― Bertrand Russell, The Conquest of Happiness
“The
very essence of romance is uncertainty.”
― Oscar Wilde, The Importance of Being Earnest and Other Plays
― Oscar Wilde, The Importance of Being Earnest and Other Plays
“He's
more myself than I am.
“Love
does not consist of gazing at each other,
“Love
is an untamed force.
When
we try to control it, it destroys us.
When
we try to imprison it, it enslaves us.
“Out
beyond ideas of wrongdoing
and rightdoing there is a field.
I'll meet you there.
When the soul lies down in that grass
the world is too full to talk about.”
― Rumi
and rightdoing there is a field.
I'll meet you there.
When the soul lies down in that grass
the world is too full to talk about.”
― Rumi
“The
man of knowledge must be able not only to love his enemies
“When
I saw you I fell in love,
no
matter who is controlling it,
“The
power of a glance has been so much abused in love stories, that it
has come to be disbelieved in. Few people dare now to say that two
beings have fallen in love because they have looked at each other.
Yet it is in this way that love begins, and in this way
only.”
― Victor Hugo, Les Misérables
― Victor Hugo, Les Misérables
“To
fear love is to fear life,
“From
childhood's hour I have not been.
As
others were, I have not seen.
As
others saw, I could not awaken.
My
heart to joy at the same tone.
“Maybe...you'll
fall in love with me all over again."
"Hell," I said, "I love you enough now. What do you want to do? Ruin me?"
"Yes. I want to ruin you."
"Good," I said. "That's what I want too.”
― Ernest Hemingway, A Farewell to Arms
"Hell," I said, "I love you enough now. What do you want to do? Ruin me?"
"Yes. I want to ruin you."
"Good," I said. "That's what I want too.”
― Ernest Hemingway, A Farewell to Arms
“In
a perfect world, you could fuck people without giving them a piece of
your heart.
And
every glittering kiss and every touch of flesh
“In
your light I learn how to love.
In
your beauty, how to make poems.
You
dance inside my chest where no-one sees you,
Feed
You To The Horror
Scene ONE
EXTERIOR busy city street, afternoon
ALICE an attractive young woman, a lonely / introverted
telepath
ALICE walks down a busy city street.
The people she passes notice her or pretend not to,
we see a super-imposition showing their inner thoughts (as ethereal
voices) and emotions (indicated by specific colors that show on their
faces, throats, chest, and sometimes at the joints and extremities)
MR FRIENDLY an older man walking a dog
(sweetly) “Good afternoon miss”
(redly) “What but I'd love to stick in in you little
bitch MmmmMMmm”
MS REEDY a slim teen, smiles
(distractedly) “lalala-lalala-lalala-lalala”
(repeating a snippet of popsong)
MRS PLAIN a doddering old woman, smiles in a friendly
fashion
(disapprovingly) “ugh, slutty whore!”
etc.....
Scene TWO
INTERIOR Occult-y or weird Bookstore, afternoon
ALICE arrives and looks around
We see a poster for a meteor-watching party, with an
appended note TONIGHT!!! Sign Up
Tons of occulty inserts can go here,
and character dialog - improv baby.
ALICE meets up with a group of people which includes :
MARSHAL the battle Wiccan
JUDITH the sexy Wiccan
BRIN slim & unassuming genre-fan / eco-nerd, the
cute boy
EDWINA a sweet chick
BISCUIT a friendly dog
The young people meet up for the trip to the forest
preserve for meteor-shower watching.
Scene THREE
INTERIOR vehicle driving on a rural highway, sunset
JUDITH drives and sings, and emotes with the music on
the radio
MARSHAL gives directions, and talks about himself
BRIN pets the dog
ALICE pretends to read and watches the others
EDWINA chats and looks out the window
inserts of natural beauty
some character conversations,
and the a meteor flashes overhead – the campers
exclaim amazement, and the car swerves,
the radio crackles static and ALICE catches a small
flash of golden light from the radio, or so she thinks...
Scene FOUR
INTERIOR – park shelter / cabin / truck stop diner –
night
With hours to kill before the peak of the showers the
meteor-watchers shoot the shit.
Get some found dialog, or improv something here.
Have the cast show off any particular talents.
Plus location inserts, natural beauty shots if
outdoors, whatever B-roll.
JUDITH plays with a pendulum or other occulty dowsing
type item. (lit with joy)
MARSHAL cheers her on (lit with joy & lust)
BRIN watches, smiling.
ALICE watches, smirking, and sneakily watches the
others.
The pendulum jerks – JUDITH & MARSHAL take this as
a sign of JUDITH's psychic powers, but ALICE has caught a glimpse of
X from BRIN... or has she? Could he also be a psi? ALICE scans his
face searching for color emoting without result.
EDWINA looks stunned, (lit with fear)
BISCUIT looks up
ALICE “So, what was that? Did you use your psychic
powers to move the pendulum? “
JUDITH “It wasn't me. The power moved through me”
(lit with joy)
BRIN “From here it looked like she made it move. How
this happened, I don't know.”
if outside...
EDWINA wanders off to gaze at natural beauty with
BISCUIT = nature inserts
if inside
EDWINA goes out to check on her dog = night sky &
meteor inserts
Scene FIVE
EXTERIOR – forest preserve camp-ground, late night
The campers sit around on blankets, or whatever,
looking up at the sky, meteors are seen overhead, and the campers
oooo and ahhhh at them. Suddenly a very large meteor blazes across
the sky, making an odd sound and seeming to slow down, then change
course to crash very near by. Lights and smoke rise through the trees
above a rise just beyond. The campers move warily towards the strange
scene. As they do they undergo an effect, look slightly stunned, and
(lit with joy)
MARSHAL – image of burning beauty = god of war
FLICKER – a burning ball of plasma moves upon him, and
drains him of life force, drops him
JUDITH – image of burning beauty = goddesses of love /
starry goddesses / dancing dryads
FLICKER – a burning ball of plasma moves upon her, and
drains him of life force, drops her
EDWINA – image of burning beauty = ???
FLICKER – a burning ball of plasma moves upon her, and
drains him of life force, drops her
BISCUIT – runs off at top speed, past BRIN
BRIN - runs off chasing BISCUIT
ALICE – from her point of view we see a burning ball
of gas, and the campers staring agape at it (lit with joy)
FLICKER – a burning ball of plasma moves

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